trauma15 (January 1, 1970 at 12:59 am)

well i think, and i may be wrong but, in order to do this you must: be good at regular jazz playing and know the fretboard very well and be able to play over changes very well. holdsworth incorporates lots of diminished ideas, and for this solo in particular he seems to stretch his fretting hand a lot, its prlly really hard to keep track of the notes yorure playing and the changes like that but hees amazing so idk.

ProtoCosmos (January 1, 1970 at 12:59 am)

Wow, these guys are pretty good.

walterockmx (January 1, 1970 at 12:59 am)

Thank you center77 for answeringme this question!!I would like to see some pictures of the guitar that you built with the fanned frets=)

center77 (January 1, 1970 at 12:59 am)

It is a Bill Delap guitar. I couldn't find a website but I saw one live. I built one a little like it but with fanned frets.

Saxyman14 (January 1, 1970 at 12:59 am)

C#-9, Amaj7#11, Cmaj7#11, Bmaj7, E-9.So... stuff around that.

webbtje (January 1, 1970 at 12:59 am)

Seriously, Allan wins. Everything.

tomacoexperiment (January 1, 1970 at 12:59 am)

I like the version of Howe Wooten Chambers

voncoolio (January 1, 1970 at 12:59 am)

It's like Wayne, Miles and Coltrane playing on his one guitar at the same time.

meluaz (January 1, 1970 at 12:59 am)

yes. melodic scales contsantly changing key

TyShredder (January 1, 1970 at 12:59 am)

anybody have any clue as to what the fuck this man is doing?