This is just a small introduction to bel canto music, with the most important singers at that time: Joan SutherlandMarilyn HorneLuciano PavarottiRichard Bonynge
Canal: Music
Añadido: January 1, 1970 at 12:59 am
Autor: SueAnnNivens
Duración: 07:32
Puntuación: 4.92
Reproducciones: 100338
Etiquetas: bel bonynge canto concert horne joan luciano marilyn opera pavarotti sutherland
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osiarap (January 1, 1970 at 12:59 am)
ow, c'mon. That was beer. That's why they're talking Beer Canto. ;-)
Willzito (January 1, 1970 at 12:59 am)
I think what i meant(about OOO or OuOuOuOuOu) is on 3:48!!
Willzito (January 1, 1970 at 12:59 am)
I have some more questions hehehe..First I'm not a singer(i wish i were), thats why my doubt r kind dumb.. Sorry.1-Legatto and passagio!! Could u explain it better?? =(2-Pavarotti is the only one when singing does the sound OuOuOuOuOu, others do like OOOOOO. i don't think i've made myself clear. Sorry hehehe =D
amballa (January 1, 1970 at 12:59 am)
hahaha, artificial male singers! haha
herenyuan01 (January 1, 1970 at 12:59 am)
It's impossible nowadays to find three such brilliant musicians together agian
agnellodei (January 1, 1970 at 12:59 am)
Ok you just showed you don't know shit. The role of Rossini's Otelli lays in spinto tenor range and has quite a bunch of low A's and doesn't have notes written above high C, in fact, most peak at Bb. I got the score if you actually wanna take a look at it. The role that is for a light tenor is Iago, not Otello...that's why when Guiditta Pasta and Malibran sang it as contraltos they simply sang it an octave down because it was already low for a tenor!
willthrillws (January 1, 1970 at 12:59 am)
You mean Verdi's Otello. Rossini's Otello is for a light tenor.And Verdi's Otello is not an example of bel canto.
tklogan11809 (January 1, 1970 at 12:59 am)
HAPPY 82nd BIRTHDAY!!HAIL TO LA STUPENDA!
LordMoe9 (January 1, 1970 at 12:59 am)
but Pavarotti's voice was much more stable than Carreras's
agnellodei (January 1, 1970 at 12:59 am)
1> - Yes, I am living proof of that. 2> He wasn't pure bel canto, he was more of a modern tenor technique, his bel canto aspects were related to legatto and passagio transition. 3> Modern tenors do not use bel canto method, but Domingo certainly did in his early years, he was able to sing coloratura quite well.
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